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"Raso and cinematographer Alan Poon make some compelling lensing choices in the film’s final act, including a wrenching sequence involving Harris that nearly makes the film’s more conventional aspects melt away by sheer force of will."
- Indiewire Review

"Kodachrome's transformation from good to great is triggered by a third act that packs an astonishingly powerful and emotional punch, with the resolution of the movie's various plot threads designed, unabashedly to be sure, to leave even the hardiest of viewers stifling tears and sobs - which undoubtedly confirms the film's place as a top-tier contemporary Hollywood melodrama."
- Reel Film Review